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Mikhail
Glinka: Summer Night in Madrid The
USSR Symphony Orchestra | ||||||||
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The Traditional and New Hymns Choir
Blagovest This album introduces rare, first published hymns of Kievo-Pecherskaya Lavra. The origin of these hymns is different, but all of them have been in use at this monastery during a long period of time. The roots of this music stretch back to the 11th century.
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The
Leningrad M. Glinka Choir Russian song folklore is a rich treasure – it houses the original culture of Russia. Professional interest in its preservation arose not more than a hundred years ago and has been developing more intensively with years. Composers began to turn to arrangements of Russian folk songs, often creating independent works in which the song appears enriched by the author.
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Van
Cliburn - Piano Van Cliburn's performances were recorded live during the most memorable days of the pianist's career - his victory at the Tchaikovsky Competition in Moscow, in 1958. It is amazing that the quality of the recording is comparable with studios - the Russian audience does not clap during pauses and it does not chew popcorn!
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David
Oistrakh - Violin Critics
in many countries called him "King of
Violin", "King David." | ||||||||
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The USSR
Ministry of Culture Symphony Orchestra "If the tragic and wonderful chronicle of our time had not been imprinted on my consciousness, the seemingly chaotic but inwardly orderly chronicle of the 20th century, I would not have written this music..."
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Ludwig Van Beethoven
Svyatoslav
Richter - Piano Thirty-Three Variations on the theme of a Waltz in C major by A. Diabelli, Op. 120 is one of Beethoven's most remarkable works, the culmination of a long evolution of structure in variation in his music. | ||||||||
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Frederic Chopin, Alexander Scriabin
Igor Zukov has
played at all the major venues around the world drawing acclaim and recognition.
His interpretation of Chopin's and Scriabin's preludes is notable for freshness
and delicacy. Zhukov's performance embraces the best features of great
Russian piano tradition.
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The
USSR Ministry of Culture Chamber Choir "We came to the monastery near Linz where Anton Bruckner lived and worked. It was twilight time. A cold, gloomy baroque church was filled with mystery. Somewhere behind the wall a choir sang an evening mass - 'Missa Invisible'..." | ||||||||
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Dmitry
Shostakovich
Two remarkable chamber compositions by D. Shostakovich are presented in this album. Sonata for Viola and Piano is the composer's last work. |
W. A. Mozart
S. Richter and O. Kagan make up a most cohesive ensemble with the age discrepancy causing no discord in their joint appearances: Svyatoslav Richter amazes us with his unfading youth while Oleg Kagan impresses with a genuinely ripe mastery.
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Pyotr
Tchaikovsky
Rostropovich - Cello This album features top Russian artists: Mstislav Rostropovich, the Borodin String Quartet, Gennady Rozhdestvensky and the Leningrad Philharmonic Symphony Orchestra performing two of the most precious compositions of Russian classical repertoire: Variations on a Rococo Theme and Souvenir de Florence by Pyotr Tchaikovsky.
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J. S.
Bach Igor
Oistrakh - Violin
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Alfred Schnittke,
Symphony No. 3 The
USSR Ministry of Culture Symphony Orchestra Synchronous music is a new style which demonstrates a new method of organization of musical material. Your perception will bounce between different compositions sounding at the same time and this shifting will evoke remarkable emotions and experiences. Synchronous music is perfect to portray the versatile, polyphonic nature of the modern world.
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Frederic Chopin
Gentle lyricism – this is the main feature of L. Timofeyeva's readings. Soft, winsome sound, heartfelt emotion, love of romantic, expressive melody – these features of the pianist’s gift have determined her interpretations of these works.
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Anatoli
Solovyanenko, tenor The Siberian Violinists Ensemble has, through virtuosi and a wealth of style and timbre, so enriched the expression of the violin that they have won the recognition of numerous listeners throughout Europe and the world. In their recording of "Seasons" by Tchaikovsky, the widely known piano interpretation of the cycle gains a new instrumental sound.
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The Ballet "Sacre du Printemps" consists of two parts. The first presents the scene of nature’s awakening in spring. The second depicts the somber scene of a human sacrifice. The plot of "Jeu de Cartes" is a game of poker during which the nimble and smart Joker often unexpectedly destroys the natural course of the game. | ||||||||
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Through these songs the most important theme of Atlantov’s art emerges in all its beauty and grandeur – love declaration, love – talent, a test of fortitude and depth of feeling, love defying and sentimentality.
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Pyotr Tchaikovsky
Being
already an accomplished pianist Richter never passed the exam to enter the
Moscow
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Pyotr Tchaikovsky The
USSR Symphony Orchestra Regarding his fourth Symphony, Tchaikovsky wrote "Never yet has any of my orchestral works cost me so much labor, but I've never yet felt such love for any of my things. ...Perhaps I'm mistaken, but it seems to me that this Symphony is better than anything I've done so far." |
Pyotr
Tchaikovsky The
USSR Symphony Orchestra The second Symphony of Peter Tchaikovsky is partly an example of a popular trend of the time: to include in serious concert works characteristics of indigenous folk music. The folk melodies utilized in this symphony are of Ukrainian origin. | ||||||||
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Armenian Sacred Music
Armenian sacred music is the most ancient among Christian musical cultures. It is distinctive not only in its melodies, but also in structure, which differs from the Western forms.
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Sergei Rachmaninov
A pianist of genius, a composer, and a conductor - Sergei Rachmaninov was related in all essences to Russian culture. Only a few bars of his music are enough for the listener to trace back its pedigree. | ||||||||
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Sergei Rachmaninov The
USSR Symphony Orchestra Constantly addressing works of different epochs, styles, and national schools, Evgeni Svetlanov attaches great importance to performing Russian classics. |
Nikolai Rimsky Korsakov
The USSR TV and Radio Large Symphony Orchestra In 1888, N. Rimsky-Korsakov created his largest and most well-known symphonic work – the "Scheherazade" suite. Sultan Shakhriar pledged to execute each of his wives, but Scheherazade managed to save her life by entertaining the Sultan with tales that she narrated for 1001 nights.
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The USSR
Symphony Orchestra The role of Mikhail Glinka (1804-57) in Russian music is comparable to the role of Shakespeare in English literature. Glinka established the Russian national music school. Tchaikovsky wrote that "all Russian music was contained in Glinka's "Kamarinskaya" like a majestic oak in a tiny acorn". |
The
Leningrad M. Glinka Choir
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Dmitry
Shostakovich Tatiana
Nikolaeva, piano Inspired by his trip to Leipzig, the place where J. S. Bach died 200 years before, Shostakovich created 24 masterpieces that can be compared to Bach’s cycle. | |||||||||
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Alaxender Scriabin
One of the greatest creations of A. Scriabin – "Poem of Ecstasy", Op. 54, was composed in 1907 in Lausanne. In the heroic, thrilling pathos of the poem we can feel the pre-storming mood of Russian life at the beginning of the century.
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Sergei Rachmaninov Prince Rostislav,
Constantly addressing works of different epochs, styles, and national schools Evgeni Svetlanov attaches great importance to performing Russian classics. | ||||||||
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"Vespers" maintains origins in traditional church music, bears the mark of the composer's unbounded imagination and is imbued with the poetry of antiquity and the enchantment of Russian folk art. |
The
USSR Ministry of Culture Symphony Orchestra Georgi Sviridov is one of the most prominent Russian contemporary composers. A deep devotion to his native culture continues Russian musical tradition and is expressed by laconic language rooted in folk-music.
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Georgian Chorales are an outstanding monument of Georgian music. Graphically, Georgian neumees differed from Greek and Latin ones. Their system of notation remained undeciphered until recently. |
Claudio
Monteverdi, Guillaume de Machaut, Benjamin Britten
Chamber Choir under V. Nesterov, a musician of great talent, appeared in 1967 at the Leningrad Choral Society and has been giving performances for more than 15 years, invariably winning the hearts of the listeners through excellent performing, variety and unique programs.
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The
Yurlov Russian Choir Rimsky-Korsakov's "Russian Easter Festival Overture" (1888) was inspired by his childhood impressions, living near the Tikhvin Monastery. The music, based on church melodies, draws a picture of the transition from Saturday's mysterious gloom to the joyous jubilation of Easter Sunday.
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Nikolai
Rimsky-Korsakov The
USSR Bolshoi Theatre Orchestra "Snow Maiden", the third opera by Rimsky-Korsakov, is a spring fairy-tale after the play by A. Ostrovsky. Through the work, the composer created for the first time images of nature and the life of Russian people in the remote, heathen past. | ||||||||
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Sergei Rachmaninov The
Moscow Philharmonic Symphony Orchestra In
Symphony #1, the special traits of musical language typical of the composer
are vividly revealed.
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The USSR TV
and Radio Large Symphony Orchestra Symphony
No. 8 was composed in 1943 during the siege of Leningrad. Hundreds of
thousands of defenders of the former Russian capital were killed by German
Nazis, or died from starvation. In Shostakovich's symphony, war’s
stern events are imprinted with colossal, tragically generalized force.
Fedoseyev lived in Leningrad during the siege. It
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Arias From Operas Paata
Burchaladze, bass By his deep, beautiful voice, which pours down powerfully and with great inspiration, and through his outstanding artistic intuition and technique, Paata Burchuladze creates vivid vocal images. He is in perfect command of the principles of the Russian vocal school, with emotional artisism and an ability for transformation.
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Sergei Rachmaninov Aleko
- Evgeni Nesterenko, bass In spite of Rachmaninov's completion of the Opera Aleko at the age of 19, the music clearly reveals his style and has evoked the interest of many opera theatres during the last hundred years. | ||||||||
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Vyacheslav Artyomov has dedicated his Requiem to "Martyrs of Long Suffering Russia" and, on a scale commensurate to the immensity of the tragedy, has created a gigantic sound epic, a majestic monument with meticulously elaborate details, fine treatment of each feature and all- immense.
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Russian Orthodox Church singing occupies a special place in old Russia’s vast and varied spiritual heritage. Its fate was such that for a long time even the fact of its existence was denied. | ||||||||
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Franz Liszt
Symphonic Poems
Liszt's commitment 'to translate literature into music' resulted in the creation of new aesthetics known as program symphonism. Many of Liszt's disciples turned his idea into an absurdity of primitive musical illustration of literary origins. They did not understand that music and literature might just have the same spiritual source, which was called by Liszt 'a program' and the unfolding of spiritual content as 'a plot'. The best music inspired by literary origins has never been an illustration /accompaniment/ of the literary work. The spiritual origin was inspirational to both forms of art.
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Pyotr
Tchaikovsky
As time passes, Pletnev’s treatments again and again puzzle many of his listeners with their innovative character. Often this novelty results from his own analysis of the work’s content which reflects the author’s vision of the world. | ||||||||
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J. S. Bach Nelly Lee,
soprano The majority of J. S. Bach's cantatas (approximately 200) were written on sacred texts. Cantata "Jesu, der du meine Seele" was based on a sacred song by Johan Rist written in 1641 and then rearranged by an unknown author. Cantata "Wachet auf, ruft uns die Stimme" was written to be performed on the 27th Sunday after Easter.
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Mily Balakirev
The Mighty Five collected and used in their compositions much more foreign folklore than any other national music school. A desire to become a voice of their own people and to talk to the world on their behalf encouraged many composers to learn different musical cultures. |
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The
USSR Symphony Orchestra Symphony No. 2 is characterized by richness of melody, striking with the breadth of symphonic forms. The symphony’s color is vividly national, originally combining the epic style of A. Borodin and the lyrical style of P. Tchaikovsky. |
Pyotr Tchaikovsky The
USSR Symphony Orchestra Pyotr Tchaikovsky's symphonic fantasy on William Shakespeare's "The Tempest" begins with a picture of the calm sea. But Ariel, by order of Prospero, raises the tempest, trying to sink the ship. The violence of the element is skillfully reflected in the music, where the breathing of the sea seems to be heard. | ||||||||
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In Symphony #1, the special traits of musical language typical of the composer are vividly revealed. "Vocalise", is one of Rachmaninov's most popular works. Artistic perfection, extraordinary plasticity of a melancholic melody, and lucidity rate the work among the best samples of the world’s vocal literature. |
Modest Mussorgsky Nelly Lee,
soprano The program of this album contains compositions which were not originally written for orchestra. Ravel and Shostakovich devoted their efforts to orchestrate the pieces.
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The
USSR Bolshoi Theatre Chamber Music Ensemble Haydn was the author of over a hundred symphonies. Such a prolific output is a key to the understanding of his creative work as a life-time development of the same symphonic model. This album introduces conductor Mark Ermler's recordings of the first symphonies by Haydn made in 1987 and 1988 with the USSR Bolshoi Theatre Chamber Music Ensemble.
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The
USSR Ministry of Culture Symphony Orchestra This album represents the most popular music of the Strauss
family. Johann Strauss I (Senior) begged his
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The history of
performing art knows many artists who enjoy great popularity among their |
Alfred Schnittke Tatiana
Grindenko - Violin Concerto Grosso No. 1 (1977) is one of the most significant works of Alfred Schnittke. The basis of it is integration of different musical periods ranging from the epoch of Gregorian chorale and Renaissance to modern time. They create a peculiar type of integrity which the composer himself called "polystylistics".
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Alfred
Schnittke
Natalia Gutman, Oleg Kagan, Yuri Bashmet and Alfred Schnittle worked in close cooperation for a long time. The collaboration resulted in the creation of Concerto Grosso 2 and Viola Concerto.
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W. A.
Mozart Concertos for Piano
Vladimir
Krainev - Piano Vladimir Krainev (b. 1944) is one of the most brilliant representatives of the Russian piano school. | ||||||||
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Liturgy of St. John Chrysostom is the earliest sacred composition by Tchaikovsky. The performance, the acoustics of the Smolensk Cathedral and the quality of the recording are outstanding.
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Sergei Rachmaninov The
USSR Symphony Orchestra The images of the beloved Motherland, reminiscences and thoughts about it make up the content of the third symphony, deeply imbued with Russian national color. "Isle of the Dead" is one of Rachmaninov's most important program works. The poem was created under the influence of the canvas of painter A. Bocklin.
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Rodin Shchedrin Andrei
Chulovsky, organ Polyphonic Notebook evokes the analogy with J. S. Bach's inventions where the composer uses almost all the possible devices and stratagem of counter-point technique. It's remarkable that the author suggests conventional titles for the preludes, doing it at the end of each miniature, as if trying not to distract the listener's attention from music, fearing to dictate, advocate his own image.
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What warmth and passion in Grieg's melodic phrases, what teeming vitality in his harmony, what originality and beauty in the turn of his piquant and ingenious modulations and rhythms... add to all this that rarest of qualities, a perfect simplicity. This album embraces piano miniatures written in different periods of Grieg's life performed by one of the greatest Russian pianists of our time - Mikhail Pletnev.
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Alexander
Scriabin The
USSR Symphony Orchestra Scriabin was a composer-philosopher who "like Bach and Beethoven erected churches and temples on the heights". His Symphony #1 opened the new era of Russian symphonism. It reveals to us the new phenomenon in the Russian music known today as Scriabin.
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Pavel Chesnokov
Chesnokov left a vast musical heritage. The most essential and important part of his legacy is his sacred music. This is one of the most significant and perfect creations of the remarkable Russian composer Pavel Chesnokov. It is the Liturgy of St. John Chrysostom, Op. 42.
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Georgy Sviridov Elena
Obraztsova, mezzo-soprano Poetical images created a large fresco which Sviridov so masterfully describes with rhythms and music. Music and melody enhance the poetry creating a song, not in genre form, but as an inherent creative pulse.
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The Ossipov Russian Folk Orchestra continues to develop the ideas of their founder by collecting and making use of all existing folk instruments, through outstanding unity of which, the orchestra achieves bright, festive and pure Russian national colors.
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J. S. Bach Larissa
Dedova, Mikhail Volchok, Tatiana Nikolaeva, pianos In these recordings, the cultural tradition of performing music by J. S. Bach is presented by pianists of different generations. Each piece is notable for continuity of music flow, bright melodious images, and, especially felt in finales, festive, playful tones. |
Sergei Prokofiev Victoria
Postnikova, piano Prokofiev's works have been categorized as barbaric, eclectic, ironic, romantic, post-romantic and anti-romantic, neoclassical, sarcastic, cosmopolitan, cold, industrial, lyrical, full of adrenaline, epic, schizophrenic... It looks like he cannot perfectly match any box our musicologists have been attempting to put him into. It is interesting, that Prokofiev never was paid mechanical royalties by American publishers and record labels during his lifetime, being discriminated against as a Soviet citizen.
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Moscow Virtuosi Yuri
Gandelsman, viola The musicians performing here are widely known as the leading soloists of the world-famous "Moscow Virtuosi" Chamber Orchestra. |
B. Garlitsky,
violin The musicians performing here are widely known as the leading soloists of the world-famous "Moscow Virtuosi" Chamber Orchestra.
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Ostankino
Large Symphony Orchestra Shostakovich's 10th Symphony is full of deep sorrow, disturbing meditations and gloom. The world of its artistic images wins the listeners by depth and docility of psychological implications and nuances.
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W. A. Mozart Tatiana
Nikolaeva, The three pianists featured on this album are among the most prominent musicians of our time. Each being a unique, mature artist, they form a very remarkable ensemble.
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Mily Balakirev The
USSR Symphony Orchestra Mily Balakirev is an outstanding representative of Russian national symphonism. He remains a true adherent of Glinka's traditions. |
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Georgy Sviridov The
USSR TV and Radio Large Symphony Orchestra Giorgi Sviridov is one of the most prominent Russian contemporary composers. A deep devotion to his native culture continues Russian musical tradition and is expressed by laconic language rooted in folk-music.
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The
USSR Symphony Orchestra Russian musical culture - both operatic and symphonic - draws attention by the multiplicity of the two West-European dances: polonaises and waltzes. Theses dances first took root in the Russian "artistic soil" and gave rise to many masterpieces. They are an original and remarkable phenomenon of Russian music. |
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Russian Sacred Music The Glinka Choir Vladislav Chernushenko, director of the Glinka Choir, succeeded in convincing the atheist-minded Soviet officials of the necessity to include forgotten masterpieces of Russian church music in their repertoire. Their performance restored the entirety of Russian musical tradition and made its roots much more obvious. |
Russian Sacred Music Irina
Arkhipova, mezzo-soprano For centuries treasures of sacred music of vast and varied styles have been created in Russia: from ascetic one part tunes to splendid polyphony. The compositions on this CD demonstrate very interesting and different trends in music for choir a capella during the end of the 19th and the beginning of the 20th centuries.
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Choral
Music The
Leningrad TV and Radio Chorus Chesnokov's scores are marked with richness of melodies and perfect expression of choral singing. Sergei Taneyev dedicated himself fully to the service of Russian musical culture as an outstanding composer, pianist, and conductor, a pedagogue in all spheres of music.
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Mily Balakirev,
Alexander Borodin, Modest Mussorgsky
The various pieces of this program represent the solidarity of Russian composers, without which they would not exist. |
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Franz Schubert, Franz Liszt,
Pyotr
Tchaikovsky,
At the "Prague Spring" competition, Sergei Tarasov, competing with musicians from 26 countries, came first, becoming the youngest winner in the 40 year history of the festival.
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Sergei
Tsatsorin, organ This program, dedicated to organ compositions, is built as a comparison between Russian and German music schools. |
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Vasily Kalinnikov,
Symphony I The
USSR Symphony Orchestra Kalinnikov was poor and sick with tuberculosis. During his life, his name was known well only among members of his family. You may see, that nothing has changed in the music industry in a hundred years - the dead composers are much more welcome than alive!
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Utyosov
Jazz Orchestra Many rare and previously unreleased recordings by Leonid Utyosov, one of the world's most unique performers of popular music during the 20th century, are released exclusively on this CD. |
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Frederic Chopin; Valses Statislav
Bunin, piano The world of romantic music is close to the pianist. Bunin's playing manner is extremely noble, tender, fiery; it is inspired and elegant. French critics said the young pianist who won the Grand Prix at the Marguerite Long International Pianists Competition in 1983 has "the most interesting musical individuality". |
Aram Khachaturian
Two major theatrical compositions by Khachaturian were written in the 1940s and 50s: six scenes of musical movements from "Widow from Valencia", the comedy by Lope de Vega, the democracy of which was very close to the composer, and music to Lermontov's drama, Masq | ||||||||