Prospectus
July 8, 2006
                                                                                                                        Inquiries:
                                                                                                                        Dana Zhukova 
dz@zhukovalaw.com
Telephone: U.S. 1-850-936-0296

CDK Music Issues Notice of Sale of Music Business

Business Summary.

CDK Music owns the largest catalog of Russian- and Soviet-produced works outside of Russia, the majority of which were acquired from the Russian label Gramzapis before its liquidation.   Compared to any classical music and works catalog in the world, this catalog is unequalled for the caliber of its artists and the excellence of its performances--many of which are of significant historical value.  

The CDK Music catalog is unique for its selection of Russian-composed music performed by renown Russian artists. Indeed, the Russian artists are the most important quality of CDK Music and that quality which sets CDK Music apart from other classical music catalogs.

Sviatoslav Richter, David Oistrakh, MstislavRostropovich, Mikhail Pletnev, Evgeni Svetlanov, Vladimir Fedosejev, Oleg Kagan, Natalia Gutman are some of the names that will make this catalog the pre-eminent source for Russian classical music by Russian artists.

Owner.   
The owner of CDK Music is the Russian composer and pianist, Evgeni Kostitsyn, whose education in music started as a child where he spent his primary and secondary years at a school for the musically gifted.  After graduating from the Kharkov Institute of Arts with a Master’s Degree in Music with an Emphasis in Composition, he received private instruction from Professor Edison Denisov at the Moscow Conservatory of Music. Evgeni has the singular distinction of being named “First Laureate of the First Ukrainian International Competition for Composers” for his First Prize winning composition, which thereafter, under the rules of competition, bears the name “Evgeni Kostitsyn International Competition for Composers.” In 1999, the US Government granted Evgeni special visa status for “Persons with Extraordinary Achievements and Abilities”—a rare immigration category reserved for people, like Nobel Prize winners and internationally renowned artists, whose work-product or accomplishments are such that their presence in the U.S. is considered to be “in the national interest.”
     Evgeni Kostitsyn is the author of a new method for the organization of musical material, known as Synchronous Music, representing musical compositions which unfold concurrently, parallel to each other.  More than 50 of his own compositions are exemplary of this style and they are remarkable for their graceful ingenuity, diversity and power.  His own cds, “American Requiem I” and “Symphony#3”, produced in St. Petersburg, Russia and Kiev, Ukraine are included in the CDK Catalog.
     Evgeni has dedicated the past 6 years almost exclusively to the time-consuming tasks of developing CDK Music and initiating the licensing and distribution of its titles; he has been intimately involved in every decision, however small or big.   The cd booklet notes which he wrote are literary gems, replete with factual details and tinged by the writer’s sense of humor whose (occasionally controversial) opinions only enhance the charm of the booklets.
Foremost a composer,   Evgeni Kostitsyn is now selling CDK Music in order to concentrate on his own music with the goals of obtaining composition commissions, opportunities to work with an orchestra, and performance venues for his own works.  A list of his compositions may be viewed at http://www.cdkmusic.com/evgeni_kostitsyn_list_of_works.htm.

Inquiries to Dana Zhukova at dz@zhukovalaw.com or by telephone at U.S. 1-850-936-0296.
Direct inquiries to CDK owner Evgeni Kostitsyn about the sale of CDK Music or about Evgeni’s work and performances are welcome.   Tele/Fax:  U.S. 1-561-347-0726; Email: ekostitsyn@yahoo.com

Details Pertaining to Sale.

II.   25-Year World (excluding Ukraine) Exclusive Rights to all possible formats of 2 ready-to-press dvd productions:

1. "Playing with Richter", 65'. Subtitles in 6 languages.
2. "Yuri Bashmet", 98'. Subtitles in English.

III.   Prospective proceeds from existing CDK licensee-contracts:

1. Moscow Studio Archive: Non-Exclusive North American Perpetual Rights to 50 CDK titles.

2. Regis, UK:  World Exclusive Rights (for 4 years) to 15 titles (17 cds). Note: Most of Regis/CDK albums are compilations.  Nothing prevents CDK from issuing all CDK original albums under CDK logo and distributing them world-wide.

3. Silk Road, China: Exclusive mainland China-Only Rights to the cd-format only of 23 CDK titles. Current contract will expire on Jan 7, 2007 and may be renewed for another 3-year term.

IV.   Prospective proceeds from existing CDK distributor-contracts.  More information available upon request.

V.   Existing US- and UK-warehouse stock of approximately 13, 580 cds of selected CDK albums.

VI.   Exclusive and Perpetual Intellectual Property Rights to CDK logo; cdkmusic.com domain name; CDK Music subscription website and CDK Music free web site.

VII.   Exclusive and Perpetual Intellectual Property Rights to currently issued cd booklets and artwork.

CDK currently has pending licensing contracts for the following video catalogues which might be of interest to the CDK Music buyer:
 
I.   25-Year World (excluding Russia) Exclusive Rights to all possible formats of 24 video programs.  
See List of titles at Attachment B (page 7 of this prospectus) or at
http://www.cdkmusic.com/cdk_music_video_programs.htm.

II.   25-Year World (excluding Ukraine) Exclusive Rights to all possible formats of 43 video programs of ballets and operas.  See List of titles at Attachment C (pages 8-9 of this prospectus).  

The acquisition of the above video catalogs will make the purchaser the owner of the largest Russian-produced classical video catalog in the world.

Legal Reservations.

Any and all information provided to the potential buyer is provided for informational purposes only. Seller does not make any representations and/or warranties as to the accuracy of the information provided and that potential buyer is to make his or her own independent evaluation of the opportunities described above.
Any sale requires an offer to purchase signed by both parties.

ATTACHMENT A

ATTACHMENT B

ATTACHMENT C

Ballets:

1.”The Fairy Kiss”. Stravinsky. 47’. 1992. 
2. “Sacred Spring”. Stravinsky. 40’. 1993. 
Olga – S. Prikhodko; Prince Igor – V. Litvinov; Prince Sviatoslav – V. Fedotov.
3. Ballet “War and Peace”. Prokofiev. 126’. 1997. 
4. “Cinderella” . 88’. 1991. Prokofiev.
5. “Cinderella” 80’. Prokofiev. Mariinsky Ballet in Kiev.
6. “Romeo and Julietta”. Prokofiev. 182’32’’. 1996. Anatoly Shekera, a choreographer
7. Ballet “Karmen”. Bizet. 54’30’’. 1992. Vadim Fedotov – choreographer; Igor Maljutov – Jose; Tatiana Andrejeva – Karmen.
8. “Karmen-Suite”. Shchedrin. 2000. 42’50’’ 
9. “Olga”. Composer Evgeni Stankovich. 1984. 91’. 
10.  Ballet “Easter Eve”. Composer Evgeni Stankovich.  1996. 76’ 30’’.  Choreographer – Victor Litvinov. Conductor – Alin Vlasenko. 
11. Ballet “Vikings” . Composer Evgeni Stankovich. 74’13’’. 2002. Two acts. Libretto by Yuri Stanishevsky.
12. “Romeo and Juliette”. Tchaikovsky. 45’. 2001. 
13. “Swan Lake”. 74’. 1991. Mariinsky Theater. Choreographers : Petipa and Ivanov. Soloists:
Mezentseva, Zaklinsky, Alijev. Evgeni Kolobov, a conductor.
14. “Hamlet”. Tchaikovsky. 21’35’’. 1990. Mariinsky theater.
15. “Nutcracker”. Tchaikovsky. 47’ 1993. 2 acts. Kiev Opera and Ballet.
16. “Peppi”. Karen Khachaturian after a fairy tale by Lindgren. 1992. 46’.  
17. “Chipollino”. Karen Khachaturian. 88’. 2 acts.
18. “Maugli”. Karen Khachaturian? 42’50’’. 1997. 
19. “Spartak”.  Armen Khachaturian. 105’. 2000.
20. “Bilosnezhka and seven gnoms”. 94’20’’. 1985. 
21. “Gross Goose”. 2 acts. 85’40’’. 1987.
22. “Silfida”. Levenshold. 72’30’’. 1982. Oleg Vinogradov – ballet master. Alin Vlasenko – conductor. Soloists: Tajakina, Kovtun, Shatilova, Ribij, Umanova.
23. “Egyptian Nights”. Asafiev. 38’40’’. 1989. Soloists: Ruzimatov, Asilmuratova, Dmitrijeva, Kulik and others. 
24. “Don Kihote”. 93’20’’. 
25. “Nine Tangos… and Bach”. Bach and Piazzolla. 34’ . 1987. 
26. “Bolero”. Ravel.18’30’’. 1982.
27. “Grand Pa in the White Night ”64’10’’. Mariinsky Ballet and “Ballet of the XX century” in Kiev. 1988. Moris Bejart. 
28. “Comedians” . 1985. 44’15’’. 
29. “Bravo Figaro!” Rossini. 46’30’’. 1987. 
30. “Giselle”. Adan. 103’22’’. 1998. Sergejev, choreographer. Tatiana Borovik – Giselle.
31. “Carnaval”. Schuman. 30’. Fokin, a choreographer. 1986.
31. “Chopeniana”. 30’. 1987. No titles
33. “Blossoms of Fern”. 37’53’’. Folk Opera-Ballet.
34. “Shadows of Forgotten Ancestors”. 76’05’’. 1990. Composer Kirejko after a novel of Kotsubinsky. Choreographer – V. Fedotova. 
35. “Song of a Forest”. Composer Mikhajlo Skorulsky. After Lesia Ukrainka. 1981. 81’10’’. Conductor – S. Turchak. Choreographers – Nataly Skorulsky and Wakhtang Vronsky.

Operas:
36. “La Dame de pique”. Tchaikovsky. 1996. Producer – Dmitro Gnatjuk, Choreographer – Anatoly Shekera. Soloists: Yurchenko, Kochur, Vostriakov. 160’?
37. “Passions after Mathew”. JS Bach. 2000. 154’. McMerrin, conductor. Soloists: Shtonda (Jesus),  Brigibez, Semonenko, Shwachka, Agejev.  Orchestra and Choir of the Kiev opera House.
38. “War and Peace”. Prokofiev. 2003. 180’ 
39. “The Tsar’s Bride”. Rimsky-Korsakov. 93’. 1999. The Kiev Opera House.
Soloists: Taras Shtonda, Hagorna, Bazir and others. The Kiev Opera House.
40. “Mozart and Salieri”. Rimsky-Korsakov. 1999. 51’40’’. The Kiev Opera House.
41. “Golden Hoop”. Composer Boris Liatoshinsky after a novel by Franko. 101’. 1985. The Lviv Opera Theatre.
42. “Taras Bulba”. Composer Lisenko after a novel of Gogol. 193’. The Kiev Opera House. 1999. Gamkalo, a conductor. Soloists: Pivovarov, Tuftina, Majboroda.
43. “Anna Yaroslavna, the Queen of France”. Composer Rudnitsky. 1996. 94’30’’.

Inquiries to Dana Zhukova at dz@zhukovalaw.com or by telephone at U.S. 1-850-936-0296.
Direct inquiries to CDK owner Evgeni Kostitsyn about the sale of CDK Music or about Evgeni’s work and performances are welcome.   Tele/Fax:  U.S. 1-561-347-0726; Email: ekostitsyn@yahoo.com.